#talk about tragic irony

[biopanik]

The only universe in which Vi's family lives on is the one where she's not with them,

and the only universe in which Vi is alive, not only does she mourns Powder and Vander twice, but she loses them forever.

[awerzo]

Do you know the ancient way to identify a witch? If she drowns, she's innocent. If she survives, she must be a witch – off to the stake with her. And our town's residents have taken to testing people with the plague. They call it "sandboxing." What charming folk.

[serasarascreams]

Quick Mouthwashing drawings right after I finished the game. I have so many emotions and feelings about this game that I feel like I am going to explode. Individual character close-ups beneath the cut.

[devilemon]

me when queequeg gave ishmael one last pained look and asked her to tell her her name once more

so when she finally died, she could look at HER sunset because she could never do it outside the whale in a future with her lover

i'm gonna be sick canto v was so good and ishmael is now attempting to grapple with a second loss of queequeg but now with an emotional support system

(gif by me, just ask to use it if you want 🫶)

[hella1975]

i cannot stand the aot fandom this is not a new take at all they are universally intolerable but oh my dayssss u are FORBIDDEN from making ANY take about the show it's actually insane to watch. 'aot is perfect' no show is perfect. 'tell me you didnt get the show 😂🫵' people have different opinions/interpretations about things. 'eren is a good guy they could never make me hate him' i think there's actually 4 seasons and two movies explicitely using him as a tool to show that no one is 'good' or 'evil' they are only trying to survive. hello. the fandom r all so far up aot's ass that they actually discredit its writing in the process and it would be laughable if it wasn't so frustrating

[unionizedwizard]

poisoned book investigation update: i reached the part of queen margot that deals with the poisoned book and this only made me more convinced that this is indeed. what happened. back in 2010. because 1) i know my mother well and therefore know she would kin catherine de' medici (yes yes i know. i know. what can i say. she's insane. it's a family tradition) 2) in the novel, the book was poisoned by catherine herself (she conceived and carried out both the scheme and the execution herself), and meant to kill her political enemy and son-in-law (but ended up poisoning (and killing) her own son). the exact method of course would be unsuitable for my own mother to imitate as it is the exact same method used in the name of the rose (possibly where umberto eco got the inspiration from, actually?), therefore as i mentioned earlier impossible to recreate with the kind of paper my copy of the three musketeers was printed on. but. yeah. not that i had many doubts at this point anymore but this is really. convincing evidence. psychologically speaking.

like for the. catherine de' medici kin part:

my mother always loved her as a historical figure. we did visit a lot of historical castles and museums and all when i was a kid and she always had a marked preference for 1) the renaissance era and history 2) the medici family 3) catherine de' medici specifically. she admired her cunning and force of spirit and ambition and influence. #1 girlboss supporter (she did not support the. you know. religious massacres tho. she didn't think catherine was a great figure to emulate or whatever. but she admired her nonetheless)

as i've mentioned before, my mother has always been a wannabe italian. she's especially fond of the italian renaissance and in particular florence and its history. in the novel the fact catherine de' medici is florentine is a key part of her characterization

physically there seems to be a similarity? dumas doesn't actually describe his characters' appearance much, but from the few elements we get, it seems to fit (= pale, grey(?) eyes with a cold and cunning look, short and stout but pretty, white hands (that she takes great care of), short and stout (fat?) stature in general, blonde hair, small lips, imposing presence that makes other people immediately fall in line & scares them (she was very proud of that)). it's not much but knowing her she would jump to conclusions and want to really. Be Like Her

sorry i know how this sounds i KNOW you don't have to believe me but i swear this is all true. inherited insanity and all that. the true Drow Ass Family

[symphony-calamity]

Thinking about Ivy Alexandria ❤️

[brookbee]

sometimes I remember the fact that in an interview david bowie talked about how he liked nyc because no one bothered him, and in the same interview john lennon comes up in conversation twice. who was then shot literally the next day. then I go insane

[rouge-fauna]

so people hate on your aspd c!tommy post mean while they have been calling c!dream a psychopath constantly? that doesn't make any sense, not to mention in canon and the ccs have called each other psychopaths cctommy said it, ccdreams said it. It was used in a negative connotation by them, and it was used in a neg connotation by so many c!dream haters.

These people talking behind your back just cherry pick what is ableist and what isn't

“that doesn’t make sense” being the operative phase lol… it’s not even a cherry pick, it’s just factually incorrect. I can’t be ableist against psychopaths, sociopaths or ASPD when it’s not even a widely recognized disability by the law or psychologists anyways, even if what I said was considered discrimination… not that I want to offend or cause harm or trigger anyone’s past trauma regardless. So, ableism or not, genuinely if what I said was hurting people I would have been happy to handle it in a reasonable way. I’m not here to make people upset, just enjoy my obsession and share things that I find interesting that maybe others will too. The last thing I want to do is add to the negative and hurtful space of the internet, that’s why I’ve tried my best to create a safe space of mutual respect. But see now, over a month later, after shit talking about me behind my back, it’s too late.

So to you anons in my inbox still trying to correct me - It’s Too Late. You had your chance to be reasonable. You had over 50 days since that post to treat me with the basic respect of a person. But see now, you ruined the chance for any meaningful or productive discussion on the topic. I’m done talking about it, especially when you clearly didn’t want my input on the matter to begin with and clearly don’t want to bother reading what I say anyways. You ruined it. Ruined the enjoyment, ruined the opportunity to discuss and meaningfully explore the stigmatization of sociopathy.

[royaletiquette]

Whenever Hibiko has developed ~feelings~ for another muse and acts on them, it is only ever with the intent of keeping it casual. While she is a jealous and spiteful girl that will poorly pretend she doesn't care she is not the only person in someone's life they're fooling around with, she would absolutely call it quits if there is ever pressure to be called anything more than a friend. How's that for a run-on.

Hibiko wants to maybe hold hands, go on dates but don't call them that, have sex, and go along with the assumption that you're not doing that with anyone else. But as a friend. Because dating to her implies eventual marriage, which isn't happening unless her parents approve of it, which also isn't happening, so why bother.

While she wants to experience Love, she equally as much wants the experience of physical intimacy. However, much to her dismay, she is the epitome of friends-to-lovers. A part of feeling safe enough to casually get nasty with someone is that there is no worry about someone's heart getting involved. So, when that someone is her, it requires a lot of fucked up mental gymnastics.

If the princess no longer feels safe from the very thing she longs for the most, she instead smothers it so as to not ruin a good thing. Denies those feelings the second they come to mind and hides them away in the deepest closet she can. Is it because as much as she wants to be in love, it terrifies her? Is it because she's scared it won't be as impactful or meaningful as stories and poems have made her think it will be? Is it because she doesn't trust herself to even know what love is? The answer is yes.

[glitteryinknotes]

There is a level of deep, bitterly poetic and cruel irony in Astarion's death and his eventual fate as a vampire spawn. Laughable, even. Lamentable.

Where do I even begin. I once posted here my thoughts on who Astarion was before Cazador took him; and all my thoughts were based on what we can assume to be canon from scraps on information in - game and interviews with Neil. That Astarion Ancunin who was laid into the ground at Baldur's Gate cementary was a corrupt magistrate, a shining example of power abuse, indulgence, hedony, existence in privilege without any service to the world around.

We also know for a fact that Astarion is not a good person in a moral sense. Again, Neil Newbon himself talked about it. He has capability to grow, mature, open himself up, soak in the positive influence and feel for others, but he never will be the default upstanding type. That is simply not at his core.

This is why (I am aware we're talking a fictional character, headcanon is free to all in whichever way they think it suits and pleases them) I cannot for the world believe in all the fanfiction based on the notion of the tragic, tortured soul unjustly attacked and turned into a vampire, because to me - it misses the entire depth and essence of Astarion's personality and arc. He was not a "worthy" persona before Cazador; in fact, the beating he got from the Gur was well - deserved and the near - death experience... Probably so as well. Maybe if anything, this would open his eyes and force him to reflect at least a bit on his choices in the position he was occupying. (But given that he mentions begging Cazador to turn him to be able to take revenge, I highly doubt that.) So yeah... The man got what was coming to him. He deserved it.

But what he got in the end once Cazador allowed him to drink his blood and had him in his hold? Two hundred years of misery and abuse beyond description, being completely stripped of any identity and personhood? No one deserves that. Such fate should not be thrust upon anyone. Ever.

It is the cruellest, most wicked twist of fate that it took that kind of ordeal to change a corrupt little elf's view of the world and force him to even acknowledge the existence of evil deeds and abuse of power - something I am quite sure he never gave any thought to before. It took being transformed into an utterly helpless victim to make him truly see that there is good and bad and perpetuating the bad leads to pain and misery for the innocents (and you can never be sure if not for you as well), and only then, at his most pathetic, most vulnerable, after centuries of torment, it took meeting, trusting, admiring, being grateful to, befriending / loving and being influenced by a genuinely good and kind person (probably the exact opposite of who he was before) to shake and cause some shift in his inner moral compass, or rather the way he was choosing to use it. The full circle, a poignant, unwilling journey from the one abusing power, to the enslaved puppet of someone with considerably more power abusing it in the most inhuman ways possible, and this time to his own woe, to the one person able to break the abusive cycle given the right influence.

Isn't that simply poetic in the most sickly sense? A tragicomedy, if you will.

Forget about Astarion Ancunin. The grave was good for lovemaking and sharing an important moment, but whoever was laid there was not anyone worthy of your time (just like "Ascended Astarion" )The one who stands by your side now is. Your Astarion. The new Astarion, the same "lovable rogue" with a taste for theatrics, drama, debauchery, beauty, murder mayhem and loose morality, but - a better person all the same.

[follow up post here

https://www.tumblr.com/glitteryinknotes/733162725841289216/a-little-follow-up-to-my-previous-post?source=share]

[wifeyoozi]

Mr. Lee Pick-me Jihoon

No because Lee Jihoon in love is utterly the most pick-me, cringey, sore loser kinda guy. Jihoon’s got this whole complex about being the perfect boyfriend, but he ends up looking like the most obvious, over-the-top lovesick mess, convinced he’s the coolest guy in the world for it. He tries to play it smooth, like he’s effortlessly romantic and all-knowing about relationships, but it’s so clear to anyone with half an eye that he’s absolutely whipped—and trying way too hard. He somehow misses the irony every single time, basking in this self-made illusion that he’s doing the most “under-the-radar” job at being completely devoted.

It’s hilarious how he’ll throw himself into these “sacrifices” for you, like he’s some kind of knight in shining armor, going out of his way for the smallest things. Once, you casually mentioned craving a certain drink from a café clear across town. The next thing you know, Jihoon’s blowing up your phone with updates as he embarks on this “heroic” journey to get it for you, acting like he’s in some epic quest. He makes a whole show out of sighing dramatically when he gets back, sweat on his brow, handing over the drink like he just saved the kingdom, while casting you these little glances to see if you’re as impressed as he thinks you should be. It’s cringey and way over the top, and yet somehow endearing—because only Jihoon would turn a coffee run into an Oscar-worthy production.

Then there’s his obsession with being “different.” He’s convinced that he’s unlike any other boyfriend out there, a “hopeless romantic” who just gets it. The first time he tried to explain this to you, he looked off into the distance, like he was pondering some great truth, and murmured, “People these days don’t appreciate true romance, y’know? Not like I do.” You had to bite back a laugh as he continued, talking about how he thinks relationships should be full of little gestures and poetic love notes. He even tried to write you a letter once, but halfway through, he got embarrassed and tore it up because, according to him, “You deserve a better writer than me.” It was cheesy and melodramatic, yet something about his seriousness made you fall a little more in love.

And the fishing for compliments? It’s practically a full-time job for him. He’ll lean in close, adjusting his shirt or messing with his hair, pretending he doesn’t notice you watching him. “Do I look okay?” he’ll ask, like he’s casually inquiring, even though he’s practically holding his breath for your answer. If you compliment him, he’ll brush it off with a fake modest shrug, saying, “Oh, thanks, I guess…” But you know he’s about five seconds from grinning like a complete idiot and checking himself out in the mirror just because you called him cute.

But nothing beats his little sigh-filled monologues about how deeply he loves you, how his feelings are almost too much to handle. It could be the simplest moment��like the two of you watching TV on the couch, or walking through the grocery store—and suddenly, he’ll stop and say, “You know, loving you… it’s like… it’s almost too much. I don’t think you understand how intense it is.” He’ll shake his head, all serious, as if he’s grappling with this grand, tragic love, and you have to stifle your laughter because he’s acting like a main character in a soap opera. But he’s deadly serious, as if his heart can barely hold the enormity of his feelings.

Whenever he’s feeling insecure, Jihoon has this self-deprecating move he pulls, fishing for reassurance in the most obvious way. He’ll sigh and mutter, “I mean, I know I’m not like… the coolest boyfriend ever or anything…” trailing off and casting side glances at you, waiting for you to tell him he’s wonderful. When you finally give in and reassure him, he tries to keep a straight face, but you can tell by the way his shoulders relax that he’s basking in it, practically glowing under your validation.

What’s really priceless, though, is how he’s convinced that being with you makes him the luckiest person alive, and he’ll say it to you at the most random moments. “Do you realize how lucky I am?” he’ll whisper, even if you’re just brushing your teeth next to him. “Seriously. I don’t think I deserve you.” He’ll shake his head like he’s some tragic, noble hero, sighing in contentment as he gazes at you. It’s such a ridiculous, earnest display, and yet you can’t help but adore him for it.

In the end, Jihoon’s trying way too hard to be this ideal boyfriend, failing miserably at being subtle, and somehow landing squarely in “adorable loser” territory. He’s clueless to how transparent his little “cool guy” persona is, blissfully unaware that you can see right through him. But in a way, it’s what you love about him—he’s just so unapologetically and awkwardly in love, and while he thinks he’s fooling everyone, you wouldn’t have him any other way.

[watcherintheweyr]

I saw a post earlier talking about how Alicent is not being rewarded by the patriarchy she has served so faithfully, and how the son she and Otto raised to the throne 'to protect his life in the way they knew they must' and I just... I have Thoughts so I'm gonna say em.

Alicent thought that by weaponizing the patriarchy against Rhaenyra and by serving it and it's goals, she'd be the exception to their sexism and disdain of women. She thought she'd be rewarded by signing with the oppressors and the oppressive system and it's values, and she's now facing the reality and the consequences of what's happened. And she's also getting a taste of the undermining and humiliation that she turned against Rhaenyra for years.

Honestly the fact that she even has a seat in the Small Council makes no sense at this point - it barely made sense with Viserys, given Alicent's views on women having power. That they should not have the power but should 'gently guide' those that do. In truth it's tragic irony and yet somehow comedic, seeing her realize that she will not be rewarded or exalted in Any way for all she's sacrificed and betrayed.

But also: Otto knew that Rhaenyra wouldn't turn on her siblings. He never really believed she would kill them. Those were lies he fed to Alicent that she in turn poisoned her children with in order to serve his ambition: which was originally to have his blood ruling on the throne but has become to have his blood on the throne as a puppet-king that he can control.

The MOMENT they moved forward with the usurpation, Otto attempted to have Rhaenyra and her entire family- including two toddlers- assassinated- the very thing he claimed Rhaebyra would do. Because he was never horrified by such a concept, and he never genuinely thought Rhaenyra was the sort to do such a thing. But he absolutely is- and entirely unprovoked. And yet somehow Alicent is shocked by this- somehow she never realized that to 'secure his succession, Aegon and his faction would have to do to the true heir and her family what she thought the true heir would do- which is either incredibly poor writing, or just blind, willful ignorance of what a usurper would have to do to stay secure from rival claimants.

Otto suggested Rhaenyra as heir to further distance Daemon from the throne (which was due to his hatred of Daemon, his knowledge that Daemon saw hom as he was, and his.. greed and possessiveness of Viserys, which was referenced now on s2e2 in how Otto spoke of Viserys, the man he puppeted, controlled, and manipulated for decades with total reverence.)- and because he thought she would be immediately displaced once his daughter gave Viserys the son that Aemma was killed for.

He never thought that Viserys would seriously hold her as his heir- and never thought she would be so difficult to manage or control, either. We see the horrified realization in his eyes in episode 2 when she shows him up at Dragonstone- that she is actually something formidable, that she just succeeded at something he did not- and saved his life from Caraxes in the same breath. That she, a girl, was taking this role as heir seriously, and that she might actually be able to play the part, and do it well.

So he made a new plan- to fill Alicent's mind with poison and lies about her once best friend, to ensure she would turn her children against Viserys' heir, and thus help him to further his goals.

But he miscalculated. Deeply. Because now Aegon's jealousy, insecurity, and hatred are running unchecked as he sits as the most powerful man in the realm. Now his grandson's depravity guides his choices, and Aegon's hatred and jealousy of Rhaenyra, his desperation for love and attention, and the power cirrently goong to his head... All are far stronger than any respect he may have once held for his grandsire- and his mother.

She betrayed and destroyed herself and Rhaenyra for nothing. She will never be rewarded for what Otto made her suffer or for what she did to disparage and demean Rhaenyra in the eyes of the men of the realm. She has served her use, as far as the men she thought to guide are concerned.

[man-down-in-hatchet-town]

THERE'S A CASTLE ON THE HILL, AS THE STORY GOES...

As promised, some initial thoughts on the things I loved about seeing this show. Spoiler free, since most of us haven't gotten to see it yet, and under the cut since I do wax a bit poetic...

Cinderella’s Castle is, in a strange way, an exercise in irony. The show is a retelling of an ancient story that is beloved and recited throughout so many cultures, and yet somehow feels completely fresh. The modern take on glam-punk lighting, a score infused with styles from 80s synth to anime, a high fantasy set with the costumes to match, the spirit of Jim Henson lingering through both the puppets and some larger and intangible vibe, a script combining that Starkid humor and Hatchetfield darkness with a whole different style of speaking… all of these beautifully executed elements melted together into something that I’ve never before seen. To take a tale as old as time and make it unique is no easy feat, but Starkid did so with magic and charm to spare.

Like any good Starkid show, Cinderella’s Castle is relentlessly dynamic: fun and tragic and exciting and just-plain-silly, with many twists and turns and character moments will make you gasp or cheer just as often as you laugh. It simply rollicks. The story clicks right along, especially in act 2, but the characters are so distinct and fun that I found myself almost wishing the Langs had sacrificed their plotting and pace just to spend more time hanging with every single member of this ensemble of personalities.

And that’s also a tribute to the actors themselves. Jeff is David Bowie reborn as the impish and fabulous narrator. Jon and Joey bring Hop A Lot and Crumb to life with so much charm and presence that they practically had the audience eating out of their hands from the very first second. Like, seriously, you will not believe how invested you will immediately become in these talking animals. Kim’s Fairy Queen is as radiant and terrible as promised; her portrayal of immortal inhuman power compels and commands and stands fully distinct from the Lords in Black. Lauren and Mariah are delightfully disgusting as the vile but deeply lovable troll step-sisters; you can feel the fun they’re having practically radiating off of them. Curt’s Tadius is dryly funny and put-upon, but also provides a vitally grounding and centering presence in the larger-than-life world of the Lands That Are. His big scene with Bryce is probably my favorite part of the whole show. James Tolbert is nothing short of an absolute STAR as the Prince, stealing scene after scene after scene with ease and charm and more jokes about genitalia than I think any of us expected. Angela once again displays a completely different facet of her never-ending range, exuding such elegance and control even in trollish filth that I do fear that the kids on the internet are going to start calling her “mother” with greatly increasing frequency. "Facade" was an absolute highlight of the night. And of course Bryce anchors, propels, and heightens every scene she’s in with such apparent ease you forget she’s been rehearsing for weeks and isn’t simply Ella herself. Ella is this world’s bruised, brave, and angry heart, and you will absolutely root for her every step of the way as she wrestles with who she is and learns what it means to claim her own power.

This was Starkid’s biggest budgeted show to date, and you could tell. This group of Michigan Wolverines and friends have accomplished incredible things since the Very Potter days of a single door and some cardboard columns, and I’m so proud of how far they’ve come. And yet Cinderella’s Castle, the fifteenth musical in the fifteenth year, still retains some of that core Starkid magic that I’ve always believed boils down to love. You can so often see that love emanating from the performers on a Starkid stage: love for the show, for their friends, for their craft, for the audience’s energy pushing them through. And the sense of love and support and community radiating from the audience is just as palpable. The man sitting behind me last night was at his first ever Starkid show, and afterwards he remarked in awe how that was the best audience he’d ever been in. And all that love isn’t unearned—it is built and it is nourished by a proud history of creativity, of song and of dance and of laughter and tears. And Cinderella’s Castle, I think, is going to prove an installment worthy of both Starkid’s past and future.

Starkid family, Bogs Hollow grants thee Starlight.

[drchucktingle]

queer horror memory lane

i know this screenshot above is just way of some algorithm but seeing these books together i am so honored youve allowed me to open my heart and trot out my art in this unique way. having two well received queer horror books (and third on way) is amazing given where i started my trot. thank you

easy to talk on 'death of unique art' these days but if you look at my story it is powerful example that buckaroos have a taste for challenging or untraditional figures in art. this is NOT to my credit, this is to YOUR credit. YOU have supported queer autistic art. i am so moved

i am already a pretty optimistic bud but still BLOWN AWAY by way my trot has been embraced over time. i recognize my perspective is 'strange' to many but to see the way this unique way was once treated with irony and now sincerity has bloomed in its place. it brings tears of joy

as i trot down my QUEER HORROR memory lane i am going to repost TRAILER for each book just because i have been basking in these memories and recalling the slow embrace of this timeline around me. thank you for allowing me this space i am so humbled and honored. LOVE IS REAL

STRAIGHT

When a strange tear in the cosmos appears within Earth’s annual path, the consequences are disastrous. For one night a year, the vast majority of humans now undergo a frightening mental change, transforming into hateful, rage-fueled zombies who will stop at nothing to satiate their desire for brutality.

While not much is understood about this horrific mass hysteria, the demographic it effects is very specific: cisgender straight people. 

A few years after the first of these tragic events, four friends from across the queer spectrum look for safety in solitude, hunkering down in a remote desert cabin for what is now known as Saturation Day. With a vaccine available for straight people to curb their violent episodes, some predict the worst is over. Others aren’t so sure.

As night falls, it becomes clear that survival isn’t guaranteed this Saturation Day.

GET STRAIGHT HERE

CAMP DAMASCUS

From beloved internet icon Chuck Tingle, Camp Damascus is a searing and earnest horror debut about the demons the queer community faces in America, the price of keeping secrets, and finding the courage to burn it all down. Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy. And they’ll scare you straight to hell.

GET CAMP DAMASCUS HERE

BURY YOUR GAYS

Misha knows that chasing success in Hollywood can be hell.

But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, "for the algorithm," in the upcoming season finale.

Misha refuses, but he soon realizes that he’s just put a target on his back. And what’s worse, monsters from his horror movie days are stalking him and his friends through the hills above Los Angeles.

Haunted by his past, Misha must risk his entire future―before the horrors from the silver screen find a way to bury him for good.

PREORDER BURY YOUR GAYS HERE

i am blessed by your support, your love, and your kindness. cannot believe how lucky i am to trot with you in all in this way and i cant WAIT to see what the future of this timeline holds for us. thank you for proving love with me from the past to the future